Dance "Chu " comes from "Han Fei Zi "， Which is a book written by Han Feizi at the end of the Warring States Period in ancient China:’ The King of Chu prefers tiny waists, therefore many people starved to death in the palace.’
There are many dancing images of ‘raising the sleeve and bow down’ in the murals, relief stone sculptures and ancient plastic arts of Han dynasty.
The dance ‘Chu’ is very beautiful. Flamboyant costumes, light sleeves, fluttering skirts, full of charms of Chu. Waving the feather crowns, the graceful carriage animated dancers dancing.

Perfect conjugal bliss in Chinese means the flowers are blooming, the moon is plenitude, which is a metaphor of perfect happiness.
– The song says:
– The cloud dispersed, moonlight is kindling the people.
– Reunion and drunk at today.
– Mandarin ducks are paddling in the pond.
– Lotuses are blooming.
– Couples love each other.
– This warm wind gestates the flowers.
– Heartthrob and sweet flood the world.
‘Perfect conjugal bliss’ is a Chinese classical dance with the Qing dynasty round fans.
The piece creates typical characters of finest ladies in Qing dynasty full of the features of Chinese ancient female dance. The main expression is the mellow but veiled movements. In the dance we can imagine the Qing dynasty ladies walk around：their graceful steps, constitutional reserve and peace and stability attitudes.
Ladies dance with deliberate steps, bring out a noble and elegant feeling, highlighted by lively and natural movements with constantly changing rhythm. Soft dress, silk fans as young girls try to catch fireflies.
After the greetings, we are going to talk something about the love story.

The Grand Mansion, is a dazzling piece of ballet, Chinese classical and folk dance.
The dance tells the subtler sentiments in between of the wives of a powerful mandarin in the 20s of 20 century in China. The dance pays homage to the Chinese Ballet production ‘Raising the Red Lantern’

Combining the ballet style dancing with Chinese art elements, the result is spectacular: dancing of exquisite grace, and the poignancy of the dance spirit itself which makes dramatic narrative and visual brilliance powerfully serve each other

The dance features the Flying Apsaras play the Heavenly Music. Dancers dance with the traditional music instruments imitating those on frescoes from Mogao Grottoes, such as harp, bamboo flute and zither. It aims to present the audience a panoramic view of Dunhuang art.
Dunhuang Dance is dances that originated from Dunhuang fresco in Dunhuang, Gansu province, West China. The dances itself is influenced by Buddha images and Buddha religion.
Dunhuang is world famous for its artistic sculpture statues and fresco paintings of the 4th - 14th century in China, which reflect Silk Road civilization and important aspects of the Chinese people's religious life, arts, and customs in the history. DunHuang frescoes contain many artistic representations of famous images as depicted in various Buddhist stories and sutras. After close study of these images from Dunhuang frescoes, Chinese dance experts created a special Silk Road style dance called "DunHuang Dance." With a breathtaking beauty and elegance, this cultural performance reflects a rich and distinctive dance tradition in China.

‘Mouchu Canzonet’ is a Man group dance presenting the imperial court custom of Qing dynasty. The idea of dance comes form the daily life of ladies-in-waiting. Following the cantabile Beijing style music, the dancers wearing the special shoes of Qing – ‘flowerpot sole’ shoes, and magnificent court dresses, represent the old-timey charm. The dance recurs the convenance and life of Qing palace.

Gentle as wind,
light as cloud,
clear as mountain streams,
and pure as the moonlight.
That is a flying peacock

Flying Peacock symbolizes a peacock in appearance. But it is obviously different from the common peacock dances of the Dai ethnic minority. The dance imitates the peacock's image of "standing erect against the wind", "jumping and spinning "and" flying with wings fully open", but far exceeding these basic images. The piece demonstrates the integration of the soul and body of a dancing "peacock".

This piece takes from the same name ballet of National Ballet of China, tells a tragedy happened in last century 20's. A young lady compelled to be married as the third wife of her husband. This section represents the sorrow of her when she saw the symbol of her marriage -- red lantern rising. Two ballerina act the fighting between the cruel fact and the her desire of freedom. This is a modern dance with a rich Chinese nationality characteristic.